Showing posts with label Alexandria Wins. Show all posts
Showing posts with label Alexandria Wins. Show all posts

Thursday, October 10, 2013

Project Runway S12 E13: "Finale Part 1"

One of the biggest issues with what Project Runway did last week was that it eliminated all of the stakes from the proceedings. If no one goes home, then what's the point of the competition? One way that competition reality shows have learned to up the stakes again when they avoid sending someone home one week is to send two people home the next week. This is a tried and true reality TV method, and one that we enter into the traditional pre-fashion-week-home-visit episode expecting. So after the three designers on the bubble show their mini collections on the runway, two of them will be eliminated and we'll be back to a solid top three for fashion week.

Now that we've got that totally accurate prediction out of the way, on with the show. There's been an added element to the final challenges: one of the looks has to be an unconventional materials look. That makes this the third (maybe fourth?) unconventional materials challenge this season. I don't know if I want to make fun of that fact as the unconventional materials challenges tend to be some of my favs, but that does seem to be a bit much.

This year, the home visits are split up between the two contestants with promised spots at fashion week and then the three losers who have to grovel to the judges for a spot. This brings us to Dom's home in Philadelphia where Tim arrives, uninvited, to a private lunch she's having with her mother, brother, and their waiter? Oh no wait, that cute chubby white guy is actually Dom's boyfriend. So that nubian goddess is dating the Pillsbury doughboy? Moving on: Her loved ones all express the typical platitudes of how proud they are for her, except her boyfriend who doesn't say too much at all; I'm guessing he's more the fat strong silent type. Tim and Dom leave to go check out her collection and we're introduced to the first of what will be a recurring theme this finale: designers creating their own textile. I guess all the HP talk from this year really did pay off. (Haha I can't believe I got that entire sentence out without laughing) Her collection is called (or inspired by) Retro Futureism which I'm pretty sure is an oxymoron. Her unconventional material is door jamb repair pieces which look pretty cool. Her designs look great, her textiles look beautiful, and she's using color; she should be in great shape.

Off to LA to see Bradon and his very tall (and hot) boyfriend Josh and their cute doggy, Eddie. Bradon's collection is inspired by spring in New York and the first flowers breaking through the snow and his unconventional material is clothing line. It's a mix of floral prints and sold metallic fabric. And I would like to see it on the models before I pass judgement because right now it looks like he went with some of Jeremy's worst old woman tendencies. Afterwards, Bradon and Josh take Tim to their very favorite place which happens to be a secluded spot on the beach. This leaves us all (and by all I mean me) wondering what the two of them like to do on this secluded and private stretch of beach....at night....when they're all alone... Where was I? Oh right, Tim Gunn at the beach wearing a suit jacket and pants because he's Tim Fucking Gunn. And to be honest, would we have it any other way?

Since we're already in California, Tim heads over to San Mateo, which I'm pretty sure is a made up place, to see Alexandria. Her collection is called Neo Nomadic Punk which I actually like in spite of myself. While the name is cool, the look is exactly what everyone would have expected it to be. She's sticking with white, black, grey, and tope, so no color on this one, and her unconventional material is the phone book woven into a nap. Oh wait, sorry, I meant to say that I took a nap during her segment; the phone book is being woven into a dress or something. Moving on: further confirming the idea that no one on earth likes Alexandria, we don't get to meet any friends or family. I'm guessing that she doesn't have any. Instead, we're taken to the sweat shop where she's chained up a few inner city kids to do all of her sewing for her. It certainly explains how she's already got 30 looks created and ready to go in 4 weeks time. The kids are cute, and precocious, and as Tim is leaving and hugging them all good bye, I think one of them slips a plea for help into his pocket.

 Union City New Jersey. I'd tell you who lives there, but I'm sure as soon as I said Jersey you guessed. Helen is another of the designers to create her own textile and it goes well with her inspiration of “Clairvoyance” because it's a print of her boyfriend's eye. Ok that was a lie, I have no idea how Clairvoyance and her boyfriend's eye go together, but then again I don't know how that can be an inspiration at all, so let's just go with it I guess. She's using color, she wants her capes to be a focal point of the collection, she's using bath mats as her unconventional, and I'm so horribly unimpressed that I got up and went to the bathroom in the middle of her and Tim's conversation. Good times were had by all. Back with the family, we meet yet another really tall boyfriend, this one with seemingly model good looks (by which I mean he looks like he could be a model which might be good for some people but totally didn't do it for me); he and Helen look odd together and he doesn't say much. Tim asks her family about Helen's tendencies towards great self confidence followed by crippling self doubt. Translation: Why does this bitch cry so much? They're all used to it, and Helen breaks out with the grand confidence that not only will she make it to showing at fashion week, she'll win the whole thing. I'll just leave that comment there and move forward.

Justin lives in Raleigh North Carolina where Tim crashes a nice family dinner with mom, dad, and sister. We learn that Justin's sister won't let him design dresses for her. I guess she's not into the whole foamy vag thing, weirdo. And also that Justin was once an architect. Did we know that already? It's amazing either way and I am more impressed with him than I ever was before. His collection is inspired by his own journey from being totally deaf to getting his Cochlear Implant and finally being able to hear. Also, I swear I'm not crying, I just snorted a lot of pepper because that's a thing I do. He's using 3D printing to create some of his accessories, he's also created his own textile for a look or two, and his unconventional material is test tubes which he seems to be just gluing all over a dress. Again, I'll reserve judgement.

It's back to New York where Bradon and Dom hug when they see each other, then Helen arrives and they all hug tightly, and then Alexandria arrives....then Justin arrives and he, Dom, and Helen all hug. Not that that means anything, right? We head to the new work room where Tim introduces us to someone whose name I didn't even get because she's a rep from Tide to tell them that everyone who makes it through to Fashion Week will have to make a new look for Tide that can be machine washable. So for those of you who were complaining that there wasn't enough product placement this season, here we go for one last shameless plug.

But before we get there, we've got one more challenge to get through. Tim comes back for a meeting with the three competing designers and he looks a little different than he did the day before. Is it a haircut? No not the hair. Maybe the outfit? No certainly not that. Oh I know, it's the cuts and bruises and busted lip that he got from “falling down some subway stairs.” I've watched a lot of TV and lived a lot of life, and I think I know what “fell down the stairs” is code for. As such, I'm gasing up my car to drive up to New York right now and kick someone's ass!

In his bruised and battered state, Tim rips Justin and Helen new ones for sloppy construction issues, but leaves each of them with a lot of positive feed back and he even gets choked up as he's leaving. Justin also gets choked up and says something about them all feeling like family, and I'm not sure if it's all generally sweet or if it's just sweet because it's coming from Project Runway's Sweetheart. And so starts the last minute scramble to get things ready for the runway. Helen decides to sew in a liner to one of her capes, and seeing how much work must be done, Dom jumps in to help her. Justin rushes to get his models into their outfits, and understanding how much work it is and how important it is, Bradon jumps up to help him out. Do I even need to say it? Ok, I'll say it: No one helps Alexandria.

At the Runway, Heidi is very careful not to say that 3 people will be showing at Fashion Week. Instead she say things like “After today, we'll see.” But we've already established that two people are going home so that's not setting off any red flags or anything.

Runway:

Alexandria

Look 1: I wish someone had a line of coke for me to do so I could wake up enough to give a shit about this outfit. All in black, the vest is boring, the pants do have the cool pocket thing going for them, but that's really the only good thing I can say about it.

Look 2: The grey top and the stark white pants look good together as color combinations go, but that's about it. There's something about the cut outs on the shoulder and the tie in the back of the jacket that just look off to me. And the pants are just another pair of oddly baggy pants from Alexandria. They aren't drop crotch, luckily, but they aren't very interesting either.

Look 3: Didn't this bitch say something about Punk in her description? Did the meaning of the word Punk change without telling me? Of her three looks, I will say that this is the closest I came to really enjoying, but that's only because I think the asymmetrical cut of the pants is kind of cool. It's also the closest thing to Punk in her collection, but that's only because the cut is a bit modern and edgy. The look is still in tope and I just don't think that tope can ever be the first thing to come to mind when someone says Punk. The top is OK. And I want someone to burn that fucking hat.

Helen

Look 1: Little black dress which is actually blue. The construction is nice, but it's still just a little black blue dress.

Look 2: Baggy red dress with a cool acrylic belt. I could say that the construction is nice but the look itself is simple, or I could just say see above, so I think I'll just say see above... oh wait... damnit!

Look 3: Um.... wow. So this is the boyfriend's eye print, and there's a cape, and all I can think about is how screwed her model is if someone were to push her in a body of water since she can't move her fucking arms. What the hell, Helen? No, just no!

Justin

Look 1: I think the cut and fit issues that Tim pointed out in the work room are evident here. The outfit swallows the model whole and does very unflattering things to her shape. But I can't say that I don't like the look itself. There's something simple and toned down about it that I respond to positively. Plus I'm a total sucker for an open back and the cut out window in the back is rather stunning and elegant.

Look 2: I can't explain enough how much I love love love this look. I said last week that I was worried that given too much time, Justin would have way too many elements in his outfits. Initially, I thought that this would be the dress to prove that. Between the 3D printed belt, the designed textile, and the spray painted skirt it all should have been too much. But seeing it on the runway, my God does it work!

Look 3: At first it's hard to get over the loud noise the dress makes while walking, but when you just look at it, it's beautiful. It moves amazingly, I love the 3D printed collar, and it's glamorous and elegant in a way that test tubes shouldn't be glamorous and elegant. This look is a show stopper to be sure.

The judges talk to Justin first and have nothing but positive things to say about his looks. And when you hear him explain how the first look is parsed down to represent his life as a deaf child, the second look is all about the chaos of finally having the volume turned on and it driving him a bit crazy, and the third look is all about coming to peace and learning to live in the world now, your jaw can't help but drop to the floor. Honestly, I gained a whole new respect for the first look after his explanation, and I've always believed that that's what an outfit's story should do: take a good look and make it great. He's obviously going right on to Fashion Week, so the show is over and Helen and Alexandria can go on home, right?

Heidi and Zac have mostly positive things to say to Alexandria until Nina acts as the voice of reason and points out how boring the collection is and how pathetic it is that she didn't use any color. At this point, Zac promptly snaps out of whatever day dream he was in and joins Nina in bashing the collection. Heidi holds fast to her (vastly insightful) position of liking the little pocket thing. Nothing good comes from the judges talking to Helen.

So the writing is on the wall. Justin is the only person with truly positive reviews so he's going forward and the other two are going home, and we can go to bed. Heidi compliments Justin, tells him he's going to Fashion Week, and sends him off the stage leaving Helen and Alexandria behind. She then explains that she liked Alexandria's looks, but no one else did, and after the longest pause ever tells her that she's showing at Fashion Week too... And I'm speechless. Helen goes home, Bradon, Dom, Alexandria, and Justin will be showing, and Project Runway can go fuck itself. Great job keeping the stakes up, you guys. See you all next week for the finale!

Stray Observations:

--In all honestly, my roommate (who isn't a PR fan btw) was watching with me and she said “Oh he's totally going forward.” when she saw the mini collections. At this point in time I said, “He's going, but someone is going with him. Heidi is being way too vague about the final number of people showing, which means they've already decided to have 4 finalist.” She then said, “Wow, so this show is that predictable?” I could only laugh.

--I know I made a lot of fun about Dom's boyfriend, but I really didn't mean any of it at all. I just thought it sounded good in the review. The truth is I think love can be found in any number of places, and also I thought he was totally fucking adorable. So please don't hate me; I sometimes sacrifice my true beliefs for the sake of trying to make people laugh, or just writing something that sounds pretty good.

--With that being said, I kind of think this is the best batch of boyfriends we've gotten from the show in awhile. I was either personally attracted to, or at least fully understood how someone could be attracted to each of them.

--I'm still not fully sure how I feel about Justin seeming to ride his disability for all it's worth. I don't know why, but it feels like this kind of extreme focus on it came out of nowhere.

--Tim Gunn: “Eddie's trying to dig to China. Eddie, once you get there, you'll want to come right back.”

--Alexandria: “I'm in.”
Dom: “Noooooo. I mean congratulations.”
Yes, Dom, and so say we all.

Thursday, August 22, 2013

Project Runway: S12 E06: “Let's Get Glamping”

One of the challenges every show faces is the question of how to stay fresh. This is an odd thing when it comes to Reality TV competition shows. Scripted television is about telling a story, and with any great story the narrative and the characters change over time. In Reality TV, the characters change, but the story stays the same, so how do you mix it up and keep audiences coming back? You change the game in some drastic, but hopefully not distracting manner. Project Runway has changed its game a bit over the last few years. It's changed networks, added an hour, then subtracted thirty minutes, went to all teams all the time for a season, injected some new blood into the judging panel, and then flipped everything with a “blind” runway show, the contestant in charge of their own money, and giving Tim Gunn way more power and influence than ever before. It's stumbled its way through the redefinition process with a lot of its changes being for the worse, but I'm happy to say that the edits it's made this season have been for the better.

First off, there's the 90 minute run time. Just last season, I was still lamenting the extra half hour as being a misstep. So how does the show fix it? Well first of all, with far more interesting challenge elements. This week, the designers go on a Glamping trip for inspiration. You can tell a reality show has “made it” when they've started making up their own words, and if Glamping somehow finds its way into the everyday lexicon, I think we can all at least be happy to say we were there at its inception.

Tim goes ahead of the designers to the camping site in order to program Seona Skwara who is a robot from Resource Natural Spring Water. When the designers arrive, Tim flips her on with a well placed touch to the biometric response panel on her back, and she delivers, in a perfect monotone, a commercial for Spring Water. If you watch closely, you can almost see the robot “breathing.” Such new age technology. After such shameless product placement, the designers are told to use nature as inspiration for a high end Fashion (notice the capital F, very important) look that doesn't necessarily have anything to do with camping, campers, or even nature. No I didn't get it either, but they needed a way to tie Resource Natural Spring Water into a fashion show and this was the best the producers could do. Cut them a little slack why don't ya?

After Tim and Seona Skwara (points for the commenter who can figure out what her name is an acronym for. I mean, there's no way it's a real name right?) leave, the designers are left to their own devices. At first, I was certain that this was going to be the episode in which Project Runway would jump genre. “Take a bunch of spoiled fashion designers and leave them in the woods for 24 hours and watch as they fight for their own survival” the trailer would say, and we would be treated to the sights of some well dressed people running around the forest engaged in some Hunger Games type of activities as they fight for the last piece of fabric in the world. But alas, they just do a lot of camping things. There's rafting, and sketching, and zip lining, and sketching, and s'mores, and sketching. I make fun, but in all honesty it's exactly what I would think a group of artists going camping would look like. I know if I were to go camping I'd do a lot of reading and writing and....who am I kidding, there's no set of circumstances on earth that could get me to go camping. In the end, the entire trip is nothing more than an impromptu vacation for the designers, and I must say that after so many years of watching this show, I honestly didn't mind. The competition is truly grueling, and taking a minute to recharge the batteries and get the creative juices flowing is actually a good idea. 

One thing Project Runway still hasn't gotten too good at is not tipping its hand about who's going home on any given week. Anytime a contestant gets spotlit more often than usual, it's a dead giveaway that they aren't long for this world. Enter Justin, who's been a steadily safe designer for the past six weeks. Justin is a casting producers wet dream given his extremely likable personality and his disability which automatically make him catnip to viewers prone to getting a bit teary eyed, so it's surprising that he hasn't had more screen time prior to now. At least in the workroom you'd think they'd go to him a bit more often. Well this week he gets his due: opening up about how hard it is for him to listen and work at the same time in the workroom and how this rec time allows him to finally connect with his fellow designers, teaching those crazy kids a little ASL and just generally being the highlight of everything. And then the designers go to Mood (where everyone has a suggested budget of $300) and we hear Justin telling Tim he wants to make his own lace out of glue from a hot glue gun. I could hear the Drums of Doom playing in the back of my head at this point, but I kept my fingers crossed; I've been fooled before.

On to the workroom where ToKen kicks things off by calling Alexandria a tiger, which I think he meant as an insult but totally could have been a compliment. Dance Beard spends all of his time creating this weird textile with string that, as Tim points out later on, looks like a child scribbled coloring pencil all over the thing. And RedHead Drew Berrymore makes a muumuu. Tim comes in and tells her it's a boring muumuu and she says she plans on dying it. I'm not sure how changing the color makes it less of a muumuu, but I guess we'll just have to wait for the runway show to find out.

Speaking of Tim Gunn being in the workroom, this is the other place where the show seems to be getting the maximum potential out of its 90 minute run time. Tim's critiques still aren't hitting all of the designers, which is really smart as it adds a slight air of mystery around what some of the final looks will be, but they still feel longer and more substantive than in the past. In addition to Dance Beard and RHDB, Tim stops in to talk to Drums of Doom Justin who is going forward with his lace from glue idea (I'm pretty sure turning glue into lace was one of the miracles Jesus performed, I'll have to look that up later to be sure). And, to my surprise, it actually looks beautiful. Tim mentions how pleased he is that Justin is finally taking a chance instead of playing it safe and expresses how impressed he is with the look thus far. And all is well in the world, and sweet kind Justin will finally find himself in the top three... Right?.... Right? Moving on. The day winds to a close with most of the designers nearing done. By most, I mean everyone except Dance Beard who still has nothing more than a kid's coloring penciled collar.

Runway Day finds Dance Beard scrambling to make a dress to go with his collar, Red Eyebrows weighing the train of his "Trees at Midnight" dress down with a lot of extra leather, and Once Drums of Doom but Now Totally Safe Justin adding even more glue gun lace to his dress. In keeping with our “More Efficient Use of Time” theme of the season, we've been spending a lot less time in pointless product placement AKA Hair and Makeup. We pop in for a montage that seems to have overdosed on diet pills (is that a tasteless joke given the fact that the show deals with models?), and get just enough information to let us know that the models will have their hair and makeup done before going on the runway.

The Runway: This week the guest judge is White Girl #3 from HBO's Girls.

Helen: After being inspired by the death throes of a moth that she waterboarded in the bathroom sink, Helen produces a look that is OK. I actually like the rough and unfinished look of the skirt and I love the model's hair, but the color and the bodice bore me.

Dance Beard: I'm willing to cut him some slack since I do like him as a designer, but this just wasn't up to par for him. I generally hate high waisted dresses, and this one is no exception. The cut isn't flattering to his model's figure, and for all of the fussing over the collar/back, it actually winds up being totally swallowed by the rest of the dress. The movement is nice, but the rest is a rare miss from the only designer with two wins thus far in the competition. He's lucky to find himself on the low end of safe.

Miranda: Oddly enough, I really like this dress. The fit is great, there's just enough detail in the bottom to make it stand out without feeling like she went over board, and I honestly love the little sash in the back. If I have one complaint, it's that the cut of the top just looks a little weird. I think a sleeker more simple top would have been the better way to go since the bottom works so well, but I like the look either way.

ToKen: No! No, no, no, no, no! Even when it was on the dress form I thought the fabric was 100% the wrong choice. He went mostly for something sexy and form fitting, but when you really look at it, even the fit seems to be off as it bunches up around the model's midsection. And don't even get me started on how unflattering the top is. Complete failure.

Alexandria: Well.....um.....so.....hm..... OK? When she first turns the corner, I shield my eyes and scream in terror. As I peak at the outfit through my fingers, I guess I don't hate it? The pants, which I was certain were going to be a horrible idea, actually don't look too bad, she does do separates which I initially said was totally not the way to go for a High End Fashion look, which is actually the same thing I said about her using denim, but somehow she manages to make it work, I guess? I can't ever be fully in love with it since I'm just not a fan of the back at all which looks oddly busy and distracting, but by the time the model is leaving the runway, I don't hate it as much either.

Red Eyebrows: I do actually love it. I don't think it photographed as well on the runway as it did in the work room, but when you get close up, I think it's just fabulous. Again we have a look that's well fitted, the hand painting adds a nice touch, and I neither like nor hate the leather at the bottom. I can see how this would be a divisive element, and I don't know that it “adds” anything to the overall look, but the rest of the dress is so strong that it doesn't matter.

Justin: Remember when I mentioned that Once Drums of Doom but Now Totally Safe Justin was adding a bit more glue gun lace to his dress? Well it just so happens that he put it all in front of the model's vagina. And by so doing, he took what was an interesting and well executed idea and turned it into a misstep. The sad thing about this misstep is that I actually really like the rest of the dress. I think he mixes hard and soft exceptionally well, the movement and sheer panels of the bottom were elements that I found to be exceptionally appealing. But then her vag exploded. And so the Drums of Doom sound once more.

Dom: Allow me to say that Dom is one of my favorites thus far, and I do really like her look this week, but I'm honestly starting to wonder if she's a one way monkey. Again we've got a dress that's nice but might rely a bit more on the textile than is totally necessary (ie would it be as nice if it were just black?), and a collar that really elevates the dress. It reminds me a lot of her bow tie look from a few weeks back to be honest. It's beautiful and very well made and I'm happy she's safe, but I'm going to have to keep an eye on her in the future to make sure she isn't just recreating the same look in different textiles.

RHDB: It turns out that dying a moo moo a different color actually doesn't make it any less of a moo moo. Who knew? I actually don't hate the belt buckle straps in theory, but they certainly don't go with this look. Boring and ugly and unflattering are a bad combination.

Kate: And it's a swing and a miss from the season's front runner. In a runway show that's being peppered with well fitted looks, Kate's is everything but. I actually don't think I would hate it so much if it were streamlined, but the puffyness and how the leather daddy harness that doesn't go at all with the rest of the dress makes this one a failure.

Jeremy: Oh. My. God. After being inspired by a love letter he was writing during the camping trip to his husband (whom I'm totally going to murder and steal his identity so Jeremy can be married to me and write me pretty letters and let me wake up to that handsome face every morning. Sorry that went to a weird place, I digress) Jeremy transcribes the letter onto his dress and creates something that's simply breathtaking. Jeremy has the quality that I've always loved from some of my favorite contestants in the past: he understands that the look has to stand on its own but should be enhanced by the story behind it. I love everything about this look: the cut, the fit, the panels, the buttons, the story, everything is just perfection. This is the winning look for me as well as the look that solidifies Jeremy's place in my bed the finale I hope.

So there you have it, Jeremy, Alexandria, and Red Eyebrows are in the top, Justin, ToKen, and RHDB are in the bottom. Zac continues to earn his place on the judges panel by not only being cute and quippy, but also by being willing to disagree with the ladies around him. He doesn't care as much for Red Eyebrows' look as the girls do, citing the weird leather train and an odd seam running across the middle. While I see where he's coming from, I respectfully disagree with him, and so does Red Eyebrows, so there! The judges proceed to fawn all over Alexandria's look, and the more they compliment it, the more my initial dislike for it returns. I can give her credit for swimming against the current of the other designers, but I can't give her the edge over looks I liked without reservation. It's nice, but I think there was better on the runway. Especially when it came to Jeremy's look which I actually don't think the judges praised enough. Honestly, I don't think they wanted to give him the back to back wins that he clearly deserved. But oh well.

They call RHDB's moo moo trashy and boring which I think should earn her a spot in the Guinness Book of World Records for being the first person to create something that was simultaneously trashy and boring. And they (very politely, as if worried that it's not at all acceptable to harshly critique a disabled person) rip Justin's dress a new one. Heidi doesn't like the hot glue gun lace and thinks it looks like a cheap Halloween costume, Nina thinks her vagina is frothing, or, as Zac says, it's rabid. Nina and Zac do, however, find it in themselves to say nice things about the color and the paneling of the bottom of his dress, which is 2 more nice things than the judges had to say about either RHDB or ToKen's look, so that's a good sign right? Meanwhile, ToKen's dress reminds Zac of a frog queen. Like a frog that was run over and the red is a splash of blood. Which makes you wonder what kind of frog queen would ever be found anywhere near a highway to be run over in the first place. Doesn't she have subjects to do the dangerous work of running errands across busy streets for her?

Nevertheless, Alexandria is the winner and Justin is sent home, the Drums of Doom beating in his wake, not that he can hear them (Sorry, but I couldn't resist. Feel free not to laugh at that and rip me a new one in the comments).

But wait, during our journey through the ways that Runway has changed for the better, I almost didn't mention the new implementation of the Tim Gunn save; which, after a very emotional scene of everyone saying good bye to the good guy, thankfully gets used this week. Here's the thing, in an attempt to not just be safe and to make the judges take note of him, Justin went a step or two overboard. Even he acknowledges that he took a risk that just didn't pay off this time. As a result he finds himself in the bottom against a dress that is painfully boring and unflattering and a designer who has been in the bottom before (two challenges in a row to be exact). He shouldn't have been going home this week by virtue of those elements alone. But for some reason, the judges thought it would be a good idea to annex the one designer in the bottom with a look that actually garnered a small amount of praise. Did the judges cut Justin in an attempt to force Tim Gunn to use his one save this season before things started to get tight in the top 10? Or was there something so horrible about his look that they saw upon closer inspection that the rest of us I missed? I can't say for sure, but I will say that this decision marks the first time this season that “out there” was to be sent home instead of “boring.” But it's a moot point in the end because Justin gets to stick around to fight another day. I hope he's learned his lesson about being in the spotlight.

Stray Observations:

--I know I used a totally horrible deaf guy joke, but am I the only one offended by the use of subtitles when Jason talks? He isn't speaking a different language, he's totally understandable, don't be a douche Project Runway!

--There isn't a look on the runway that Heidi wants to wear. How can she know what she likes without that?

--Am I the only one who thought HMG was flirting with Dance Beard?

--ToKen: “She reminds me of Judas in the bible.” You know as opposed to Judas, the pimp, from down on 44th street. You don't want to fuck with him either. Seriously, how many Judas' could their possibly be?

--ToKen: “I was thinking about Mother Nature and about how she might possibly look if she existed in real life.” If Mother Nature looks anything like that, I'm running for the fucking hills.

--Miranda: “I hope we're playing paintball, because I really want to shoot some people.”

--The Rate the Runway pages aren't up yet and it's already 2am (the price of living on the east coast I guess) but I wanted to get the review posted before I went to bed. So the links to the looks themselves might be dead links or might be linked to the wrong looks. I'll fix it when I wake up. (Julius' note: Fixed!)

--Thanks to Julius for letting me review the episode. I hope to do another one before the season is over; it was a lot of fun. And thanks to you guys for reading and putting up with me, I know I can drone on from time to time, so if you read it all the way through, I'm sorry to have tortured you and also happy that you stuck it out.