You might
know me as MediaGrrl in the comments section, but for the first time, I'm
filling in for the wonderful Julius as he is off opening his one man revival show,
Christian? Sorry? Oh, no! I will do my best to keep the Project
Runaways mood of serious frivolity going, and I look forward to your comments as well. On to the recap we go!
This week
is brought to you by the letters Q, V and C, who are sponsoring The Wall this
season. Please use it thoughtfully, or not, as Tim is not here to remind us.
This episode
starts with a bang-- no shots of sleepy designers waking up to the site of a
grizzled cameraman from IATSE Local 600 hovering over their twin beds this
season. Instead we are at a helicopter pad, somewhere adjacent to Manhattan.
Alyssa is there to tell the final six that they will be designing something for
QVC and they're going to meet the famous Lisa Robertson, program host (for hours
of QVC sales are called "programs", not streams of endless pitches of a overly caffeinated auctioneers. It's less wordy.) and "Style
Authority," a title that sounds both dubious and menacing.
The designers
have yet to put two and two together to understand why they are standing in
front of helicopters-- as no one really knows where the Batcave QVC HQ
is located, they don't realize they will be crossing state lines to visit Westchester,
Pennysylvania. I assume this quiet berg of 18,000, home to Dave Barry and coach
Muffet McGraw, has rarely incited squeals on the level of Elena's excitement,
nor been host to an off-her-meds Ukrainian neon enthusiast and a crew this
motley. Bubbly Elena and the girls get
in and away they go. Irina is pleased!
The men
also load in to their helicopter, and as you've seen a million times in dude movies
like Black Hawn Down and Blue Thunder, they immediately begin putting makeup
on. We also get a fan-flick and a bon mot
or two from Zinger, who is acting like his normal hilarious and in-need-of-air
self. Please note that. He's just fine and dandy at this stage.
The designers
arrive at QVC and enter a cavernous, clean lobby that looks like a smart hotel
that would be attached to an airport in the 1970s. They look with wonder at the
pale marble and oooh over the flatscreens showing the International versions of
QVC. We even get a not-at-all forced soundbite from Seth Aaron, marvelling at
the fact that QVC is on in, like, Germany. Way to sell it, crew.
Uh, oh, is
that Lee Meriwether descending the staircase from the Delta Sky Lounge? Nope,
it is Lisa Robertson, product of the pageant system, winner of the cheekbone
lottery and a student of the "chin on the chest shows gravitas"
school of media training. She informs us that she is lucky enough to reveal
this week's challenge - designing a gown for she herself to wear at (or near, or around, or close to,
or while at home thinking about) the QVC Oscars-related "star-studded
gala", where she will be working the red carpet. She mentions this is a
live broadcast, so please, no designs that must be touched up in
post-production or CGI'd in later. This gown must also look good in
photographs, and later we'll see that this is part of the judging, one of those
parts that the judges seem to ignore if it doesn't go along with their auf'ing
plans.
As I had
never heard of the barnacle to the Oscars boat that is the "Star-Studded
QVC Live Broadcast", I checked the roster of "A listers" from
last year. They had Jennifer Hudson, fair enough, and her personal career cautionary
tale, Marisa Tomei, the ubiquitous Lisa Rinna, an always-welcome dash of Jane
Seymour and an up and coming model from Germany, one Miss Heidi Klum, if I'm spelling
that right. Pretty girl, I assume she was just happy to have been invited.
Lisa Robertson
is not just a Style Authority, she is a damn good tour guide, showing off the
studios and inviting them to try their hands at on-camera (but not live, thank goodness) program hosting. She forgets to point out her chin technique, as if they'd master
that in a day. I must agree with the giddy, hairflipping, nervous Elena, "It's
not as easy as it looks". Nope, and that is why we have laboratories that
create lisarobertsonbots. The six are then led into Isaac Mizrahi's own
studio, which Seth Aaron claims that they all recognize, ya know, from watching
it on QVC. Barring a hospital stay, the only person less likely than Seth Aaron
to watch QVC is Isaac himself, who pops in to say hello, in a shot that seems
like a third take ("that's great, Isaac, can we just do one more shot of
you entering, more excitement this time, have fun with it").
The
designers sit and sketch, captured by the smooth tracking shots and brighter
lighting that give these past few episodes a different, more stylish and less
rough reality show feel.
We see Lisa
will have a wide variety of looks to choose from:
Pansear is
thinking semi-strapless, fitted, a mermaid shape.
Viktor is going
form fitting, stylish, flared out at the bottom in a mermaid silhouette.
Irina is
taking Isaac's advice to go dramatic and "pull out all of the stops",
and so to differentiate herself, designs an almost bridal look, assuming the
bride wanted a strapless, fitted, mermaid gown.
So lots of options for Lisa.
It is then
the next day, and we can tell that as everyone has changed clothes: Elena has reapplied eyeliner over
yesterday's, and Viktor has changed into a yellow polo shirt. What - a yellow
polo? No costumey corduroy bowtie and kid's birthday hat? How mundane. Is there
something wrong with little Zinger? No, he seems fine, but stay tuned, gentle
reader! After a trip to Mood, the remaining six have about 11 hours to pull off
a gown. "A GOWN", frets Pansear, blocking out the fact that he has
done at least three gowns this season. He decides to whip out his fabric feathering
technique, which the judges loved during his season.
Irina is
also fretting, as she has concerns about completing her complicated design in
the allotted time. No one made you put 18 panels into your dress, Irina. Still,
she has always been an efficient worker, so surely she can whip up all of those
seams, perfectly, then top stitch each, and add boning, and reinforce the
skirt, and then applique her dress before deadline? I am tired just typing all
of that, but godspeed Irina. She doesn't seem pleased.
And in a constant
state of fret-itude is Elena, or Pikachu, as Viktor calls her, who confesses
that she is worried that she doesn't "know the techniques for evening
wear" (also should be noted, she made a silky smooth red gown last week
that looked very evening),and speaks for the audience when she wonders aloud if
she will freak out. Is it better or worse, mental heath-wise, if she is aware
that she is losing her marbles during challenges?
But Elena
will only have a supporting role in today's big story, for, noticing the
vaccuum of drama and sensing there is airtime up for grabs, Viktor takes a turn
for the sad. Is something wrong with Zinger? Has he lost his... zing? The first
and biggest clue that a Big Moment is coming is the postprodution insertion of
Lifetime's Emotional Confession Music. The camer a captures a sigh as he cuts
fabric. Zinger, with brow delicately furrowed, claims that he has something on
his mind, a thing that has been bothering him so much, something that makes him
afraid of how other people will treat him, and he needs to talk about it,
confess it to the world, because he just "wants to be free".
Oh the
drama! Mr. MediaGrrl and I paused the tv-- intrigued. What was it? What was
troubling our hero? What had he done? Had he killed a hobo? Worn white after
Labor Day?
We would
find out along with Zinger's two closest friends, Elena and... Seth Aaron? who
knew?, whom he thoughtfully interrupts as they diligently work to finish their
complex red carpet gowns. Zinger steers them into the break room, takes a deep
breath and -- and Elena, jumping out of her skin, shrieks "what the fuck,
dude, tell me what's wrong!"
Mr.
MediaGrrl had guessed testicular cancer. I had guessed bankruptcy. Turns out,
Viktor is HIV positive. He has known for ages, but only his partner has been
told. His family will possibly find out on tv. Dare I say Elena and Seth Aaron
look relieved? Editorially, I want to add, what a good place to be in, from a
public health standpoint, when HIV positive status, while not great, is not
received as a death sentence. I remember the
80s, when not only my crush Mark Harmon's sexy doctor character on St.
Elsewhere was dealt that card, and that meant he was a goner, but in the years
that followed many people I knew in what we call "real life" were affected. Modern medicine is a wonderful thing. HIV is
not, then or now.
So, back to
Viktor's big reveal. His friends, mulling over this news, must not have given
Zinger the gasp, the snap of the fan, if you will, that he was looking for, so
he mewls "I just didn't want you to treat me differently", and looks
sad, forcing them to get up and defend their respect and fondness for him with
hugs. Elena even offers a backrub. Manipulative little so-and-so. Seriously, I
do not get the motivation for the timing of this kind of announcement,
especially when we see who is sitting on the judging panel this week.
The mood is
immediately lightened by a glistening pink bubble that floats in and bursts to
reveal Glinda, the GiggleWitch of the South, aka Zanna Roberts Rassi, here to
shut down the design munchkins with a lilt in her voice and a shake of her
blonde curls. Today Glinda has forsaken her sparkly gown for a matchy two-
piece flowered outfit that wouldn't look
out of place at an English gardening club meeting. She gets right to work
dispensing advice, some of it good (Korto's orange ruffles look cheap, Irina's
is too bridal) some bad (tells Pansear "keep adding" to his look) and
some intriguing (people do not like green). She is not very pleased with what
she sees.
Runway Day:
The models
march in wearing matching black tanks, as Korto gives us the Freak Out Update. She's
freaking out because after viewing her test photos, she sees her orange
super-gathered dress is a neon mess, and starts over completely. According to
Korto, Christopher's freaking out, Viktor's freaking out, Irina is ice cold, Elena, duh, and Seth Aaron is running around like crazy. She herself, well, girl is
"twisted", which I think is the DefCon 5 of freak outs.
Irina
should be worried - in putting the dress over her model's head, she experiences
the first of quite a few rips of the 18 pieces of delicate fabric she has
worked so hard to piece together. Zinger thinks that this may be due to her
stiffening the fabric with buckram, a cotton which is used a lot in hat making.
He says it can tear easily. Irina is not pleased. Aside from that, and some
ass-measurement issues from Pansear and Elena, we are off to the runway.
Judges:
Sitting
next to Isaac today in place of The Beautiful Georgina Chapman® is Mondo
Guerra. You might remember him from his tearful
HIV positive confession during Season 8, the one that seemed organic, real and
heartfelt. Also, you might recall that he wore crazy little outfits that
included shorts with suspenders, pins and necklaces, a style that that seemed
organic, (sur)real and heartfelt. Mondo is his own man. Viktor is not.
When
Mondo's name is mentioned by Alyssa, there is a quick cut to Viktor, who looks
down. Wild coincidence that Mondo is visiting this week?
Lisa
Robertson is there, natch, and the end chair is occupied by the lovely
Elisabeth Moss, one of the "greatest acting talents of her generation", according to
the lovely actress Alyssa Milano, who, despite what you think of Charmed, is not.
Runway:
Pansear: I love midnight blue and black together, but
damn does this dress have a lot going on. Feathered technique on a fabric that
has a tiny bit of sparkle, leather trim on the boobs and a full leather
shoulder piece, a belt and a poofy tulle train. The ethereal model doesn't sell
it so much, and during judging, standing still, the dress makes her boobs look
like Good 'n Plentys, but somehow it all
comes together.
Zinger: Who doesn't love olive green? Guest judge
Elisabeth Moss, as it happens. I like it on redheads and ashey blondes like
Viktor's model, but the color is not the biggest problem here, it's the gores and
the ruffles and the fins and the train. This dress is busier than a tornado at
a trailer park, a theme carried through by the model's messy styling. It's
okay. Not for anyone above a size two, or with Lisa's fantastic figure.
Seth Aaron:
Full disclosure here: much like Emilio
Sosa declared when he designed his own
fabric, MediaGrrl hearts Seth Aaron.
From his positive attitude to his cool cartoon-y sketching style, excepting his
current eyebrow situation, I just adore him, and I think Alyssa feels the same
way. In fact, Seth seemed to give her quite the glance when she walked out
tonight. Hmmm. His sparkling, non
strapless, non mermaid gown is one of my favourites, even with the Cadillac
fin'd bum.
Korto: There is a fine line between effortless and
lazy, and Korto's is right there. Not sure how my buddy SA got knuckle-rapped
for a basic drapey gown last week when Korto's maxidressey simple gown is seen
as comfortable and flowy. The skirt is
made of various levels of left-over orange chiffon, and has pockets, which
always get the female judges squealing. The top is made of taupe fabric,
twisted into a sort of halter. I'm thinking that drab color will not look as
nice on the pale skinned QVC host as it does on Korto's darker-skinned
model, and I predict it will be changed
when the actual dress is made.
Elena: She's gone all Patricia and made her own
textile, black overlaid onto purplish brocade, cut out to create an effect of
scales. It's cool. The judges seem to have more of a problem with the design of
the dress than the fabric, pointing out the "dowdy" bateau neckline
and some weird seaming in the back. Elena's warming up for her self-predicted
meltdown, not thrilled with her dress, saying "I'm just praying that the
judges don't execute me for it". That says a lot about design school
discipline in the Ukraine.
Irina: a gown for the perfectly postured, impossibly
thin, showin' off the A-cups bride who will be married in a church with no
steps and no modesty code. The mermaid skirt maintains its stiffness and does
look beautiful, but I found the faux-leather and pearl flower appliques strewn
about it a little heavy-handed. The model can't quite make it on and off of the
runway without giving us another nice rip. Of the dress, I mean.
Personalities
abound and opinions differ on the runway tonight.
By the time
all of the models are brought out for the judging, the seam split has grown to
about 6 inches. Irina is not pleased. Isaac is blaming the fabric, Irina is
blaming te model, and as she is questioned about this catastrophe, Irina softly
snarls, "yeah, she RIPPED it". Her model does not have the mobility
to kick her for this.
Seth Aaron
announces, without prompting, that "he is back!" which delights Alyssa,
annoys Isaac and prompts a flirty "no, you
are Schmoopie" back-and-forth with Elisabeth Moss on the merits of
sparkle. (Turns out they both like it. Awwww.) Style Authority Lisa Robertson
feels the gown is "too close to home" and by home she means where her
vagina would be, if such a thing was allowed on QVC. Silly Lisa, lady parts are
known around here as "the good china". It is agreed by the judging
panel that the widening of one's bottom is not a good thing. SA is in the
bottom three.
Isaac says Pansear
"had him at navy tulle". I looked it up - thinking the Navy Tulle might
be a military event that the two attended, and we were getting our second
confession of the episode. Nope, he just loved the train, and Pansear's
feathering technique, which, sadly, is also
nothing sexual.
Zinger gets shut down, multiple times, for his choice
of color, by a blonder than I've seen her Elisabeth, who actually would look
lovely in that shade. Alyssa says she's disappointed, she expects more of
Viktor, and why can't he be more like Mondo? (Well, she doesn't go that far.) He
is in the bottom three.
Elena's is
called a "good dress", making her gasp and smile, but also
"dowdy" and unflattering, making her have the sads. She's in the
bottom three.
Korto's
tangerine/cafe au lait concoction gets mostly positive reviews, "a fresh
idea", "very wearable", with lone dissent coming from Lisa, who
doubts the glamour factor will outshine Lisa Rinna and some leftovers from The
Hills. In fact, for a moment Lisa is leaning towards the drama of Irina's
structured gown, but is hip-checked into sanity by Elisabeth and Mondo. As I
may have tipped off earlier, Korto is the winner, and Lisa will wear her dress.
No way does that taupe stay taupe - we shall see.
But someone
has to go home, and it comes down to Elena and Irina. Elena is terrified, and
she wells up. Which will it be: a near miss that the designer didn't really
sell to the judges, or a beautiful failure that was not completely suited to
the occasion? If Elena goes, surely this is the meltdown we've been waiting all
episode for...
Nah. Irina
goes home, with the "no Heidi kiss kiss" send off seeming colder than
usual. Although she says she would have liked to have won, we hear the sigh in
her voice, and as she goes and cleans up her space, she makes it clear she
doesn't really need this All-Stars business. Irina is not pleased.
I'll be
with you again next week, and hope to have the recap up a little sooner.
- Martina
Stray
Observations:
Isaac's
perfume is called Fabulous. Was Divine taken?
"The
bonus puts you in so many homes - it's an amazing prize," says Irina. ask
Joan Rivers how much money she has made from QVC. So designers, would you
rather be in front of millions of shopping housewives or be the toast of Paris
Fashion Week?
Elena has never
been on a helicopter. Or, one presumes, in one.
Viktor
spreads his fabric on the floor to cut - this has always weirded me out when
the designers do this. How clean is that floor?
Irina sure
wore a lot more makeup, shorter skirts and higher heels during All-Stars. It
brings to mind Althea and SweetPea, who both must have looked at their original
seasons and thought they could do a little better in the styling department.
Apparently
there was a rumor circulating that Lisa Robertson had died. She is the Abe
Vigoda of tv shopping.
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